The story, loosely inspired by an obscure 1977 drive-in flick called Death Game, follows Evan (Keanu Reeves), an architect and family man who’s stuck at home working on Father’s Day weekend while his wife and kids leave town. —Jim Vorel, Year: 2016 Director: Osgood Perkins Stars: Ruth Wilson, Bob Balaban, Lucy Boynton, Paula Prentiss Rating: NR Runtime: 87 minutes, This somewhat labored ghost story premiered at the Toronto International Film Fest before being picked up by Netflix for distribution, but the festival circuit is really its natural home. About one of cinema’s more unique serial killers—a man who seemingly needs to form close personal bonds with his quarry before dispatching them as testaments to his “art”—the 2014 original was self-sufficient enough. There were rumors a few years ago that this was to be spun off into a mini-series continuation. The creators of one of those bad movies from the 80s are talking to Netflix about trying to make a sequel for it. Louisa or Lucy is forthcoming, a fountain of personality and knowledge and interests. The following are the most beautiful movies on Netflix. Maybe they really do admire each other to romantic heights. It’s possibly the scariest movie you could watch on Netflix. Ultimately, this is a movie about the inescapable innate grief of immigrant stories, a companion piece to contemporary independent cinema like Jonas Carpignano’s Mediterranea, which captures the dangers facing immigrants on the road and at their destinations with brutal neorealist clarity. Evans knows exactly how long to needle the audience with a slow-burning mystery before letting the blood dams burst; his conclusion both embraces supernatural craziness and uncomfortably realistic human violence. Killer Bear Movies !!! Does she know that her child is the spawn of Satan, or as his mother is she just willfully blind to the obvious evil growing under her nose? The two stories inevitably intertwine. —Jim Vorel, Year: 2016 Director: Bryan Bertino Stars: Zoe Kazan, Ella Ballentine Rating: R Runtime: 91 minutes, Bryan Bertino’s The Monster takes place at the crossroads between a serviceable drama and a middling horror film. For a certain kind of horror purist, Cargo denies the expectations of the genre. Still, The Ritual is a great-looking film, and one that features one of the more memorably “WTF!” monster designs in recent memory. So many titles, so much to experience. —Jim Vorel, Year: 2014 Director: John Erick Dowdle Stars: Perdita Weeks, Ben Feldman, Edwin Hodge, Francois Civil, Marion Lambert, Ali Marhyar Rating: R Runtime: 93 minutes, In the wake of Paranormal Activity, “found footage” as a horror sub-genre had a pretty tough time getting a fair shake from critics, and often from audiences as well. Where the movie shines best is largely on the presentation side: It looks great whenever its images aren’t too dark, capturing an interesting moment in history by setting the film in 1991 Spain. Fast-moving (only 85 minutes!) The iconic lead singer of Black Flag is great here as an immortal loner who has completely become a hermit to protect himself and others. Perkins’ style is languid, atmospheric and deliberate, favoring repetition and a slowly multiplying sense of unease and impending doom. The movie hinges on the petulant squabbles of boys, circular arguments that go nowhere because they’re caught in a perpetual loop of denial and projection. They hit what they think is a wolf, but when a tow truck driver arrives to take care of the damage to the car, they learn that something much scarier is going down. And then they travel to rural China, where Lizzie grows increasingly sick, starts puking up bugs, discovers yet more bugs dithering about under the skin on her arm, and, when offered a butcher’s cleaver by Charlotte, chops off her hand. Four teen boys are just being dumb teen boys when they find a katana in the belongings of one of the kids’ brother. Looking for other movies to stream? More from the emo zombie movement. The 1988 movie will be well known to VHS fans of a certain era and is about an attack on Earth … In order to keep their shit together enough to keep living, the small group of people in Shults’s film have to accept the same things the audience does: That important characters will die, tragedy will happen and the horror of life is about the pointlessness of resisting the tide of either. What if you don’t have time for the trash? Taken together, the two David E. Kelley series demonstrate the limitations — and diminishing returns — of copying one’s own success. The film taps into a nightmare vein of real-life dread, of loss so profound and pervasive that it fundamentally changes who you are as a human being. Seeing Shideh defy the Khomeini regime by watching a Jane Fonda workout video, banned by the state, is almost as stirring as seeing her overcome her personal demons by protecting her child from a more literal one. A spirit/demonic possession movie in the vein of Witchboard, the film follows a 15-year-old Spanish student (Sandra Escacena) who unwittingly invites evil into her home while conducting a ouija seance with her school chums. There’s interest, and it wanes and flows. —Jim Vorel, Year: 2004 Directors: Bangjong Pisanthanakun and Parkpoom Wongpoom Stars: Ananda Everingham, Natthaweeranuch Thongmee, Achita Sikamana Rating: NR Runtime: 97 minutes, Right around the same time when the American horror film market was excitedly green-lighting remakes of Japanese horror films such as The Ring and The Grudge, Thailand produced what is likely its largest genre hit to date, Shutter. We see an old man looking down out of a window. This better mean she’s going all-in on a feature length Spike Tey joint. Grizzly Man is the best bear attack movie ever made. Gerald’s Game stars Carla Gugino giving a career-best performance as Jessie, the docile housewife of handsome, successful Gerald, who whisks her away for a weekend to their country home so the couple can put the spice back in their marriage with a little kink. Cargo – Netflix. The Raid director Gareth Edwards moves from action to horror in this slow-burn period piece about a man who goes to rescue his sister from a remote cult. Numerous shots of tree clusters evoke Celtic knot-like imagery, these dense puzzles of foliage clearly hiding dire secrets, and we are shown just enough through the film’s first two thirds to keep the mystery palpable and engaging. To heal himself and his other friends, he has the plans a hiking trip in northern Sweden in memory of their lost ally. Still, there are quality films to be found here, typically of the modern variety, from classics like The Evil Dead or Poltergeist to more obscure (and disturbing) titles such as The Endless, The Invitation or newer films like The Platform. Verónica, therefore, has been received as a welcome venture into a new concept for the director, even if the results are decidedly on the derivative side. It’s the story of a young woman who moves into an apartment complex in Los Angeles and discovers her neighbors are not at all what they seem. Some of these sequences are effective enough, such as the flashback to a screaming match the mother and daughter have in the garage as their relationship fractures further. Well, maybe “inconsistency” is the wrong word. It’s twisted and clever in ways that only a Roald Dahl story can be. A woman (Ruth Wilson) moves into a creaky old home to serve as live-in nurse for an elderly horror author with dementia (Paula Prentiss), but soon finds herself sucked into the ghost story that makes up the author’s most famous book. There are some award-winning, thought-provoking, genre-changing films streaming right now on Netflix – here's our pick of the very best. Take, for instance, this 2015 follow-up to 2012 Blumhouse hit starring Ethan Hawke. He makes the classic mistake of getting close to someone, and the rest is better left unspoiled. Even the jump scares are solid; in an era when shoddy found footage movies were being churned out en masse, As Above, So Below hardly deserves to be lumped in among its more forgettable peers. However, Apostle forces its way into the year-end conversation of 2018’s best horror cinema through sheer style and verve. Watch trailers & learn more. Something is not right. Then weird things start happening with their photographs. He’s happily married and so handles them with caution from the beginning, but he eventually gives in to their flirtations, leading to a greater nightmare than he could have ever imagined. In the case of the movie’s guilty narrator, that means a vengeful and inevitable haunting filled with all the foreboding and creepy imagery you came to see. The performances elevate this Showtime series, but the focus on plot thickening gums up the works. In the end, The Blackcoat’s Daughter comes together significantly more neatly and logically than one might consider while watching its first hour, rewarding careful attention to detail throughout. That’s where we begin: with an examination of grief. For those familiar with Evil Dead II and the even sillier Army of Darkness, the fact that the original film was more of a straightforward genre affair feels somehow off; behold cognitive dissonance in full effect. This is the climax to The Perfection’s first half hour, ruined by a single viewing of the trailer. —Andy Crump, Year: 2016 Director: Karyn Kusama Stars: Logan Marshall-Green, Tammy Blanchard, Michiel Huisman, Emayatzy Corinealdi, John Carroll Lynch Rating: N/A Runtime: 100 minutes, The less you know about Karyn Kusama’s The Invitation, the better. This 2014 horror film came out right when people were just sick of found footage films but has developed a cult following in the years since for a reason. Anjelica Huston gives a classic performance as the Grand High Witch, who leads her kind in an effort to kill as many children as possible. Each month, Netflix NFLX adds dozens of new movies to its digital lineup. The only thing that feels truly inconsistent while watching it is your mind: You’re constantly wary of being tricked, but the construction of its scenes often gets you anyway. Where his first films almost had the aesthetic of a videogame come to life—they’re about as close to a big screen adaptation of Streets of Rage as you’re ever going to find—Apostle might as well represent Evans’ desire to be taken seriously as a visual director and auteur. Make your movie list and get Blu-rays and DVDs conveniently delivered to you with free shipping both ways. The 50 best slasher movies of all time
Shults and DP Drew Daniels hold his face in close-up as if they’re cradling him, trying to make his passing easier. A cross-dissolve cascade of crude shots details the interior of a farmhouse or an apartment, or the interior of an interior. Thumbnail image: A24/courtesy Everett Collection) The 30 Best LGBTQ Movies on Netflix Right Now. As the world deals with a pandemic, there’s something about watching a futuristic society that falls apart because of greed and selfishness. Regardless, this is a competently crafted little drama thriller for the zombie completist, full of excellent performances from no-name actors and an intriguing take on the results of zombification. Where to Stream the J. It’s a fantastic horror movie with one of the best performances you’ll find on this entire list from Brewer. This is not how movies are supposed to work. More Species-like in nature than the thoughtfulness of something like Alex Garland’s Ex Machina, Splice is a story about mad science and human experimentation gone exactly as wrong as you no doubt know it will. Mom hits the bottle hard, and perhaps dabbles in some other substances as well, while fighting anyone who gets close enough for her to yell at. This clearly states that you cannot watch ma… Bad News Bears, starring Billy Bob Thornton, is a remake of the 1976 Walter Mathau film of the same name.It's about a grumpy … Airtight narrative logic, or imaginatively deranged imagery? The concept is a great hook — a futuristic prison sends a platform of food down floor by floor, and there’s not much left by the time it gets to the bottom. J.D. Del Toro’s first Oscar winner blends the fantasy world of a girl named Ofelia and the abject cruelty of her stepfather, a Captain during the Spanish Civil War. We see Jesse Plemmons in the next shot picking up Jessie Buckley in his worn car. —Andy Crump, Year: 2016 Director: Babak Anvari Stars: Narges Rashidi, Avin Manshadi, Bobby Naderi, Ray Haratian, Arash Marandi Rating: PG-13 Runtime: 84 minutes, For most of the film, Babak Anvari is crafting a stifling period drama, a horror movie of a different sort that tangibly conveys the claustrophobia of Iran during its tumultuous post-revolution period. This is, at first, a horror story about teenagers uniting under the banner of heavy metal in 1980s America, a time when God-fearing Christian bedwetters saw proof of devil worship everywhere they gawked and blamed the rise of Satanism on objectively awesome things like Dungeons & Dragons and Dio. It’s clear: He isn’t long for this world. Suffice to say that Rollins is a captivating lead. He’s having fun. There is oh so much more to be said about The Invitation, especially its climax, where all is revealed and we see Will’s fears and Eden’s spiritual affirmations for what they are. This may be more of a thriller than a horror film, but we have to get this list to 50 somehow and it ends in a brutal enough way to qualify. It’s trauma as tone poem, bittersweet down to its bones, a triumph of empathetic, soul-shaking movie-making. Let’s be honest, horror fans: A lot of the genre we love is garbage. Send up that Mike Flanagan signal, because we’ve got another one — and perhaps his best. If the exchanges between its leads can be summed up in two words, those words are “no, you.” Boys will be boys, meaning boys will be obstinate and stubborn to the bitter end. ★ HORROR Fan ? Killer Klowns from Outer Space 2 has at least been discussed with Netflix. Trey Edward Shults is quickly becoming one of the most important directors of his generation with his personal debut Krisha and one of the darlings of the 2019 festival season, Waves. 786 The Hottest Netflix Sex Scenes of 2020 It’s an old-fashioned monster movie with a committed, emotional performance from Kazan. To say that “love conquers all,” even moreso. —Jim Vorel, Year: 2016 Director: Osgood Perkins Stars: Emma Roberts, Kiernan Shipka, Lucy Boynton, Lauren Holly, James Remar Rating: R Runtime: 93 minutes, Looking at his first two horror features, it becomes clear that director Osgood Perkins seems to have a distinct distaste for both plot and film convention. The infected here at times seem like your standard Romero ghouls, but they’re also a bit more: lost souls who have hung onto some kind of strange, rudimentary culture all their own. Then, out of the blue, they receive a tape in the mail from their former cultists, and at Aaron’s behest they revisit Camp Arcadia, the commune they once called home. The 40 best horror movies on Hulu
Dillard directs this Sundance Blumhouse flick that sadly never got a theatrical release but should find loyal viewers on Netflix. Check out this other variation on the concept of the doppelgänger, which stars Madeline Brewer as a cam girl who wakes up one day to find out that she’s still online. Netflix Netflix (Photo by IFC Films. A woman we have not yet seen is practically mid-narration, telling us something for which we have no context. Still, it could be an interesting genre footnote in the career of Tremblay if this kid grows up to be an Oscar-winner someday. Coulrophobics beware, because Killer Klowns from Outer Space 2 might be coming to Netflix. The story is about a flake from Long Island named Timothy Treadwell who decided he had to document the life of bears in Alaska, and save them from (non-existent) poachers. Tobe Hooper’s haunted house story was one of the biggest films of 1982, ushering in a franchise that fans still adore to this day. We glide through the house with minimal, whispered dialogue and occasional narration, and although it does build a palpable sense of unease, the payoffs are few and far between. But we’re trying. https://youtu.be/-873VvTQK-A Get your Killer Bean Merch to support the show! Anyone genre-savvy will no doubt see where it’s going, but it’s a well-crafted ride that succeeds on the strength of chemistry between its two principal leads in a way that reminds me of the scenes between Domhnall Gleeson and Oscar Isaac in Ex Machina. We invite you to use this list as a guide. Against a backdrop of Satanic murders, Marc Meyers flips the expected script in this tight, clever little thriller. Home to wild bears, wolves, lynxes, horses, golden eagles, and more, Romania exists as one of the last strongholds of biodiversity in Europe, and many endangered species reside there. *New additions are indicated with an asterisk. As Marshall-Green’s Will wonders if he’s going crazy, so will you, and the movie reinforces what you should already know by heart at this point: Always be suspicious of John Carroll Lynch! This 1992 thriller is one of Brian De Palma’s most divisive movies. The fact that the position of the prisoners is constantly in flux is key—it gives them both a tangible reason to be the change they want to see in their world, and an almost impossible temptation to do the exact opposite out of distrust of their neighbors. Or is the director drawn to stories that reflect the struggle of women to claim independence in their lives by shedding old scars or ghosts, be they literal or figurative? It’s an undead thriller for the discerning drama fan. Smart and vicious, it’s the kind of indie hit that will surely now find a bigger, appreciative audience on Netflix. 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